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ISO ratings are used to indicate the light sensitivity of the image sensor. The higher the ISO number, the greater the light sensitivity and the less light is required to expose the image.

However, it s rare that an individual possesses both considerable design and development skills; therefore, Flash applications tend to be either visually impressive with very little functionality, or functionally amazing with an interface that leaves much to be desired. Also, this dilemma is combined with an additional compatibility issue: in order for Flash to function, a plug-in must be installed into your browser. Another visually dynamic technology that has been around for many years but does not have a significant base of users is DHTML (an acronym for Dynamic HyperText Markup Language). DHTML a term describing the marriage of JavaScript and HTML basically combines HTML and CSS elements with JavaScript in an attempt to make things happen in your web browser dynamically. While DHTML in the hands of a skilled JavaScript professional can achieve some impressive results, the level of expertise required to do so tends to keep it out of the hands of most of the development community. While scripts such as drop-down menus, rollovers, and tool tip pop-ups are fairly commonplace, it is only due to skilled individuals creating packages that the everyday developer can deploy. Very few individuals code these software packages from scratch, and up until recently, not many individuals considered JavaScript a very potent tool for the Internet.

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If you re used to working with autoexposure cameras, you may not be aware that being able to set aperture and shutter speed manually gives you creative control over more than just how light or dark your picture appears. Aperture affects depth of field, which is the range of distance in the picture that s in sharp focus. Shutter speed determines whether a moving subject appears frozen in time or blurred. Advanced cameras offer you the option of working in either autoexposure (AE) mode, in which the camera chooses the aperture size and shutter speed, or in manual mode, in which you make these decisions. As an alternative, many cameras offer semiautomatic modes called aperture-priority autoexposure and shutter-priority exposure. In these modes, you set one control (aperture or shutter speed) and the camera selects the other. Although you can sometimes persuade the autoexposure mechanism to select a particular f-stop or shutter speed upcoming chapters share the tricks you use to do so working with a camera that offers the option of manual exposure control makes it easier for you to implement your creative decisions. At the least, your next camera should offer one of the semi-automatic modes.

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When you compose a picture, your creative choices are in part controlled by the focal length of the camera s lens. Focal length, which is measured in millimeters, is the distance between the optical center of the lens and the element that records the image in a film camera, the negative; in a digital camera, the image sensor. Focal length affects the angle of view and the size at which your subjects appear. At a short focal length, you can capture a wide area, but objects appear smaller and farther away. At a long focal length, the opposite is true you can capture a narrow area, and objects appear larger and closer. As an example, see Figure 1.1. I took both pictures from the same position, but I doubled the focal length for the second image.

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